NEUROFLORA

Origin: Photography as Seed

Alstroemeria macro

Petal veining and stamen geometry. A floral architecture reduced to its graphic code. Light through membrane, language through repetition.

Balloon plant – Gomphocarpus physocarpus)

A botanical anomaly. Textured like skin, inflated like data. The spines suggest threat, the form suggests breath.

Protea flower

Radial design in full bloom. An explosion of ordered tendrils, like neural filaments or a recursive algorithm trapped in cellulose.

Calla

Architectural botanical volume. A throat of cellulose, or a fabricated intake valve. Space enters, light vanishes.

These photographs are fragments from an earlier exploration, the project Limen. Shot in black and white, stripped of context and color, these botanical close-ups isolate structures, tensions, and voids. They are not documentary; they are just propositions.

Each form, each vein or fold, was selected for its latent energy, a potential geometry that could be translated into something new.

Here, the flower is no longer a flower. It is a network. A surface. A precursor to a synthetic organism.

Visual Layer:

From Observation to Invention

  • Nouvel élément de liste

Midjourney x Kling: reinterpreting the botanical

After isolating organic forms through photography, I submitted fragments of those images to Midjourney.
Not to improve them, but to rupture them, to imagine what these plants might become if memory and code were to hallucinate together.

These synthetic visuals are not edits: they’re inventions, rendered from prompts built around structure, translucency, and biomechanical rhythm.

I then used Kling to animate these morphologies crafting camera motions that drift, circle, and enter the forms, as if they were spatial organisms.

The final result feels neither natural nor digital. It lives between structure and perception, grown in a biome of speculation.

This is the prompt I used for Kling:

Loopable macro camera movement through translucent, organic mesh inspired by synthetic plant biology. The structure rhythmically, expands and contracts. Lights in the bulbs Camera glides slowly with cinematic effect, creating a soft immersive passage. Biogenic sci-fi mood, shallow depth of field, warm internal lights, photorealistic motion.

Editing & Sound

The final edit is a composite of generated sequences, reordered and slowed down to suggest internal motion.
Some transitions were softened, others left deliberately abrupt — as if the structure was thinking through its own collapse.
The sound is a synthetic texture layered with breath-like pulses, designed to resonate with the motion rather than follow it.
Together, they form a loop that feels less like narrative, and more like a state.

Thank you for following this process this far.
I hope some of what you’ve read or seen has been useful, or at least, quietly resonant.
Now, here is a preview of the final video:

Neuroflora.